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Please login or register to add a video to collections. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She was expelled at the age of eleven for what Rolling Stone described as “musical insubordination. She was born at the Old Catawba Hospital in Newton, North Carolina during a trip from their Georgetown home in Washington, D.

When she was two years old, her family moved to Baltimore, Maryland, where her father had transplanted his Methodist ministry from its original base in Washington, D. Her older brother and sister took piano lessons, but Amos didn’t need them. The song appears as light filament once I’ve cracked it. As long as I’ve been doing this, which is more than thirty-five years, I’ve never seen the same light creature in my life. Obviously similar chord progressions follow similar light patterns, but try to imagine the best kaleidoscope ever—after the initial excitement, you start to focus on each element’s stunning original detail. At five, she became the youngest student ever admitted to the preparatory division of the Peabody Conservatory of Music. In 1972, the Amos family moved to Silver Spring, Maryland, where her father became pastor of the Good Shepherd United Methodist church.

At thirteen, Amos began playing at gay bars and piano bars, chaperoned by her father. Amos won a county teen talent contest in 1977, singing a song called “More Than Just a Friend”. By the time she was 17, Amos had a stock of homemade demo tapes that her father regularly sent out to record companies and producers. Producer Narada Michael Walden responded favorably: he and Amos cut some tracks together, but none were released. In 1984, Amos moved to Los Angeles to pursue her music career after several years performing on the piano bar circuit in the D.

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In 1986, Amos formed a musical group called Y Kant Tori Read, named for her difficulty sight reading. Despite the disappointing reaction to Y Kant Tori Read, Amos still had to comply with her six-record contract with Atlantic Records, which, in 1989, wanted a new record by March 1990. The initial recordings were declined by the label, which Amos felt was because the album had not been properly presented. Amos traveled to New Mexico with personal and professional partner Eric Rosse in 1993 to write and largely record her second solo record, Under the Pink. The album was received with mostly favorable reviews and sold enough copies to chart at No. Her third solo album, Boys for Pele, was released in January 1996. The album was recorded in an Irish church, in Delgany, County Wicklow, with Amos taking advantage of the church’s acoustics.

Fueled by the desire to have her own recording studio to distance herself from record company executives, Amos had the barn of her home in Cornwall converted into the state-of-the-art recording studio of Martian Engineering Studios. From the Choirgirl Hotel and To Venus and Back, released in May 1998 and September 1999, respectively, differ greatly from previous albums. Shortly after giving birth to her daughter, Amos decided to record a cover album, taking songs written by men about women and reversing the gender roles to reflect a woman’s perspective. With her Atlantic contract fulfilled after a 15-year stint, Amos signed to Epic in late 2001. In October 2002, Amos released Scarlet’s Walk, another concept album. Not long after Amos was ensconced with her new label, she received unsettling news when Polly Anthony resigned as president of Epic Records in 2003.

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Anthony had been one of the primary reasons Amos signed with the label and as a result of her resignation, Amos formed the Bridge Entertainment Group. Sony Music Entertainment, merged with BMG Entertainment as a result of the industry’s decline. Both albums received generally favorable reviews. Amos’s solo music videos, released through the Warner Bros.

In May 2008, Amos announced that, due to creative and financial disagreements with Epic Records, she had negotiated an end to her contract with the record label, and would be operating independently of major record labels on future work. Abnormally Attracted to Sin, Amos’s tenth solo studio album and her first album released through Universal Republic, was released in May 2009 to mostly positive reviews. The album debuted in the top 10 of the Billboard 200, making it Amos’s seventh album to do so. During her contract with the label, Amos recorded vocals for two songs for David Byrne’s collaboration album with Fatboy Slim, titled Here Lies Love, which was released in April 2010.